After an active morning hiking in Tuscany’s lovely Val d’Orcia, nothing beats sitting down to a lunch of Ribollita Toscana, accompanied by a glass of local Sangiovese from one of Tuscany’s newer wine zones, Orcia DOC (named one of the Top 10 Wine Getaways in 2018 by Wine Enthusiast.) A hearty soup of beans and greens, layered with bread and cooked twice, literally “reboiled”, in Italian ribollita. This would be a dish for a Monday night, incorporating the leftover broth and vegetables from Sunday nights boiled meat dinner, adding beans and bread to stretch it to feed many mouths.
We see numerous bread based dishes on our private tours in Umbria and Tuscany. Here, bread is not often enjoyed alone, but is incorporated into a soup or other dish, like pappa al pomodoro or panzanella. Why? Because the traditional breads of the area – Pane Toscana (Tuscan bread) or Pane Sciapo in Perugia – are made without salt.
In the 12th century, the rulers of Pisa were at odds with the rulers of Florence, and cut off their supply lines from the coast. This made salt prohibitively expensive. The Florentines, unwilling to cave to the pressure, simply began making their bread without it. On a recent visit to Badia e Coltibuono, a winery and olive oil producer in Tuscany, we were shown the estate ‘salt safe’ where the owner would secure his salt each evening before retiring.
This soup is best reheated and eaten the day after it is cooked, though you can serve it when freshly made. I baked this soup in the oven, but you can also cook it on the stovetop – you may need to add a little more broth or water, and be sure to keep a close eye on it so the bottom doesn’t scorch.
Spoon and serve in a bowl, garnished with a bit of grated cheese and a generous drizzle of extra virgin olive oil as they do in Tuscany. This is a perfect dish to accompany that wonderful quality olive oil that you brought back from Italy. Here at my Newburyport home I head over to Port Plums to pick up some, a great local source when I can’t get to Italy!
Ribollita Toscana
Serves 4
1 cup dried cannellini beans, soaked for 12 hours
2 sprigs parsley
2 ribs celery, 1 chopped into 1/4” dice
Kosher salt and freshly ground pepper to taste
1 carrot, chopped into 1/4” dice
Extra-virgin olive oil for sautéing and drizzling
1 large red onion, sliced
1 leek, sliced, soaked in water to remove grit
1 pound (about 8) plum tomatoes, peeled, seeded and diced or 1 15-ounce can chopped plum tomatoes
1 large potato, peeled and diced
1/2 bunch Tuscan kale, chopped
1/2 head Savoy cabbage, chopped
1 pound chard, chopped
1 loaf of stale Tuscan (saltless) bread, sliced and toasted
1 clove garlic, peeled (optional)
Drain the beans and cook them in water to cover with 1 sprig of parsley, the whole rib of celery, salt and pepper until tender (you may need to cut celery into 3-4 pieces to fit into pot.) Remove and discard celery and parsley. Reserve the beans in their cooking water.
In a soup pot, heat a generous amount of oil and add the red onion and leek. As soon as they begin to turn golden, add the minced celery, carrots, remaining sprig of parsley and the tomatoes and cook, stirring frequently, for 2 to 3 minutes. Add the potato, Tuscan kale, cabbage, and chard. Cook, stirring to combine, then add water to cover. Season with salt and pepper and cook over medium-high heat for 1 1/2 hours.
Puree about half of the cooked cannellini beans and add the pureed beans, the whole beans, and the cooking liquid to the pot. Stir to combine, season to taste with salt and pepper, bring to a boil, and cook over very low heat for another 30 minutes.
If desired, rub each of the toasted bread slices with the garlic clove.
In an oven-proof pot, alternate layers of the bread slices with the soup, then set aside to rest. To make true ribollita, the following day add a little water, drizzle with oil, season with freshly ground pepper. Bake in the oven, without stirring, until most of the liquid has evaporated and a crust has formed on top. Drizzle with additional olive oil and grated cheese and serve.
The wines of Barolo are extremely expressive of their picturesque terroir. On our Italiaoutdoors Food and Wine private wine tours of this region, we slow down, and mindfully explore this amazing territory by foot or by bike (electric assist for those who are not a fan of hills). We begin in the northwest area, visiting La Morra, which has younger, sandier soil. Here we taste fruitier Barolo, the more “feminine” with milder tannins, ready to enjoy at a younger age.
We finish the week in southeast, which dates from the Helvetian age, in the commune of Monforte. Here, on our walks through the verdant vineyards, if we can take our eyes off of the spectacular scenery, we notice a crumby, clayey, white-yellow soil that can really stick to our hiking shoes when wet. This tenacious soil produces more intense wines, with increased color, body, and strong tannins that benefit from longer aging.
One of the best wineries to experience the terroir here near Monforte is Costa di Bussia. My knowledgeable guide Erica suggested we begin in the vineyards, which was my preference as well, having seen many a wine cellar. Italian winemakers across the country repeat the phrase “our wines begin in the vineyards”, so of course discovering the story of Costa di Bussia should begin there as well.
Surrounded by a breathtaking view, with the town of La Morra visible in the distance, Erica gives me the lay of the land. Below us is the Bussia valley, created by the Bussia River, now recognized as a Barolo cru. Millions of years ago, this area was a sea. The waters receded from west to east, so the land that is now Monforte and nearby Serralunga and Castiglione Faletto was the first to emerge. The terrain here is heavy with clay and calciferous material due to the sea shells, which you can still find today. This high level of minerality results in strong wines with pronounced tannins – “male” Barolos – intense, strong, long lived.
The best slopes for these Barolos are the south facing slopes with the optimum sun exposure, important for the late-ripening Nebbiolo. Occasionally they will use the lower elevations of north facing slopes if the sun exposure is adequate, but the top of these slopes are used for the other two indigenous reds, Dolcetto and Barbera, which ripen earlier.
Costa di Bussia was founded in 1874 by Luigi Arnulfo, from a local family of pharmacists. He began producing the native Barolo, and realized the unique terroir of Bussia. Arnulfo is considered one of the pioneers of Barolo production, applying his scientific background to develop tools to analyze the chemical makeup of wine, including alcohol and sugar content. He bottled Barolo in unique square shaped bottles to facilitate long transport; his bottles arrived intact as far away as California, making Barolo one of the first internationally renowned wines. When philoxera threatened to destroy the entire industry in the late 1800s, Arnulfo travelled to France to learn the grafting techniques that saved the grapes from extinction. He died in 1928, and the property fell into disuse until the current owner, Paolo Sartirano purchased it in 1988 and restarted production under the Costa di Bussia name.
Erica continues, introducing the unique features of their individual vineyards. The original vineyard, located just behind Cascina Arnulfo, is Campo del Gatto – Field of the Cat. Fully facing south, it is located on a “back” where the limestone rich clay marl outcrops provide austere growing conditions. The high percentage of clay here results in wines that are rich in color and structure. From this historical vineyard, they produce one of their two single vineyard wines, their Vigna Campo del Gatto Barbera d’Alba.
Behind the Campo di Gatto is a second small 1 hectare parcel, the Campo dei Buoi, Field of the Bull. This historical name was mentioned in the purchase document of the original estate signed by Luigi Arnulfo and his father. The soil here has a high percentage of carbonates and other mineral components, such as potassium, phosphorus, and calcium. The southern exposure allows for optimum ripening of the grapes. This is the home of Costa di Bussia’s single vineyard Barolo, Vigna Campo dei Buoi.
As we follow the winding road past the Campo di Gatto, we look out over the Bussia hill vineyards planted with the prolific Nebbiolo. The Bussia hill boasts a mix of clay and sandstone marls, at times overlapping, alternating, and in parts mixed together, some parts more fertile, others less so. In this mix of soil types, the Nebbiolo grapes mature at different rates, exhibit different aromas and flavors, producing wines with many sensory dimensions. These vineyards are devoted to the production of the Bussia Barolo DOCG, the Langhe DOC Nebbiolo Arcaplà and the Barolo DOCG Luigi Arnulfo.
The highest vineyard on the estate is a Nebbiolo vineyard called “Bricco”, with a south-west exposure. Here the vines need to reach deep into the poor marl soil to find the sublayers that are very rich in carbonates and minerals. Costa di Bussia’s most prestigious wine, their Barolo Riserva, hails from here, a wine with powerful structure, tannins and great ageing potential.
Two other vineyard parcels are dedicated to the traditional every day drinking wines of the region, Barbera and Dolcetto. And lone among vineyards devoted to red grapes is a vineyard planted with Chardonnay, an experiment undertaken by Paolo Sartirano in 1992.
Following our tour of the vineyards, we return to the Cascina where Erica leads me through the wine museum dedicated to Luigi Arnulfo. During renovation of the original farmhouse, Sartirano uncovered over 200 letters and many instruments and other objects from Arnulfo’s time. These artifacts reflect his work in the vineyard and in the winery, his scientific discoveries, new trade routes, and the role the Langhe producers played in the world wide wine industry in the late 1800s. They are now carefully preserved and available for all to learn from in this small, but fascinating museum.
A quick tour of their clean and well-equipped modern production facilities, and then on to the tasting room.
Langhe Chardonnay 2017
100% Chardonnay, aged 6 months on the lees, this is the result of the owner’s experiment with white grapes in this red-centric region. Non-typical tropical flavors of banana, mango and apricot make for a very fresh and interesting Chardonnay. Persistent finish, with a bit of toasty yeast on the finish. Pair with antipasti, shellfish, risotto.
Langhe Nebbiolo Arcaplà 2014
A new wine with vintage 2014, its traditional name comes from its predecessor, the D.O.C. Langhe Red “Arcaplà” with was produced until 2010 using the ancient technique arcaplé, a blend of Nebbiolo (70%) and Barbera (30%). Today, however, it is now a DOC Langhe Nebbiolo produced with 100% Nebbiolo grapes of the estate.
100% Nebbiolo from the Bussia vineyard, aged in small French oak barrels. Deep ruby in color, with scents of vanilla, spice and currants. Elegant mouthfeel, smooth tannins. Enjoy with pastas, roasts, grilled meats, mature cheeses.
Campo di Gatto Barbera 2013
100% single-vineyard Barbera from their oldest vineyard Vigna Campo del Gatto. Aged for 18 months in 500-liter French oak tonneaux. Deep ruby red color with flavors of cherries and wild berries. A note of spice accompanies a persistent velvety finish. Best with roasted or grilled meats, and aged cheeses.
Langhe Freisa 2012
Freisa is a native grape of Piedmont, an offspring of Nebbiolo. Once one of the most planted in Piemont, it is now almost forgotten. Similar to Nebbiolo, Freisa produces wines with considerable tannins and acidity. While it can be used in blends, it is most often encountered as a varietal. Like Nebbiolo, Freisa produces a relatively light colored wine but with more distinctive purple hues. The wines are often characterized with strawberry, raspberry and violet aromas.
This was an interesting wine to try, but alas, time is limited. Costa di Bussia no longer produces Freisa.
Bussia Barolo 2013
100% Nebbiolo from their Bussia cru vineyards. 18 month aging in big Slavonian oak barrels of 5000 litres, then in the bottle. It should age well in your cellar for at least 15 years. Soft ruby red in color, with classic Barolo profile of rose and cherry, and just a hint of spice. Well-balanced, with velvety tannins and persistent finish. Enjoy with game, roasts, aged cheeses.
Bussia Luigi Arnulfo Barolo DOCG 2010
A special selection of only the best grapes, harvested over-ripe, dedicated to Luigi Arnulfo. 36 months of aging in 5000-liter Slavonian oak barrel, then in the bottle. Should be good for at minimum 15 years in the cellar. More intense in color than the Bussia Barolo, with aromas of rose, tobacco and ripe cherry. Smooth and silky tannins, with an exceptional persistence. Appreciate with game meat, braises, and mature cheese.
Luigi Arnulfo Chinato
A very interesting dessert wine, unique to Piedmont. A traditional recipe created by Luigi Arnulfo, reflecting his training as a pharmacist. This Barolo Chinato was a special liquor, used in the past as a natural remedy against the cold and flu, as well as malaria, which was one of Italy’s most deadly diseases until the mid-1900s. Barolo Chinato is produced with Barolo wine and with an infusion of spices, roots and medicinal plants such as quinine, hence the name “Chinato”, cloves, rhubarb, mint, cinnamon, and many other ingredients, all written in the original recipe from Arnulfo.
100% Nebbiolo, aged in the bottle. Traditionally drunk after meals as either a digestif or a dessert wine. A distinctive – and very Italian – mix of bitter and sweet, together with the spices, make it quite unique. Enjoy on its own (a wine for meditation, as the Italians would say), or with a bit of dark chocolate.
Our Italiaoutdoors private walking and cycling tours in Italy visit the lovely hill town of Montepulciano. Situated between two of Tuscany’s picturesque valleys, the Val di Chiana and the Val d’Orcia, with views of Lake Trasimeno to the east, and Monte Amiata to the south west, it is an enchanting stop on our adventure.
The main street of Montepulciano stretches for just under a mile from the Porta al Prato up hill to Piazza Grande. Our favorite local guide can lead us on a private tour, revealing the history behind the medieval and Renaissance edifices, including the Palazzo Comunale, Palazzo Tarugi, and the Duomo. The lovely church seen just off the hill outside the city is the Sanctuary of the Madonna di San Biagio. Car traffic is severely restricted within the 14th century walls of the city, making it a perfect city to shop for locally made leather goods, or sit in an outdoor enoteca and taste Montepulciano’s renowned Vino Nobile.
When searching for the perfect lodging for guests on our tours we look for small, unique properties that are centrally located, with congenial hosts that consistently spoil us. This is exactly what we find at Il Tosco. Four elegant rooms in a historical house, formerly a residence of local nobility, Elena and her mother see to our every need. The breakfast is absolutely amazing, with fresh fruit, eggs, yogurt, cereals and several of mom’s wonderful homemade cakes. At the request of our guests, Elena shared the following recipe for one of our favorites, the Torta di Fragola – a Strawberry Cake.
Torta di Fragole
1 cup and 5 tablespoons rice flour (7 ounces)
3/4 cup granulated sugar (5 ounces)
2 teaspoons baking powder
1/2 cup vegetable oil
1/2 cup plus 1 tablespoon water
3 egg whites
Zest of 1 lemon and juice of 1 lemon
10 ounces strawberries, sliced
Preheat oven to 350°F.
In a medium bowl, combine the rice flour, sugar and baking powder. Stir to combine.
In a second medium bowl, combine the oil and water.
In a large bowl, whip the egg whites until stiff. Carefully fold in 1/3 of the flour mixture. Then fold in 1/3 of the oil/water mixture. Repeat 2 more times untl all these ingredients are well combined.
Fold in the lemon zest, juice and sliced strawberries.
Scrape the batter into a pregreased or non-stick 9” cake pan.
Bake in preheated oven until brown, and a toothpick inserted in the middle comes out batter free, about 40 minutes. Cool on a rack.
We have a full day in front of us exploring the lovely Val d’Orcia, home to the classic Tuscan landscapes seen here, but we are ready for anything after our substantial breakfast feast!
Years ago, I recall a story about a patronizing French chef who, when asked what he thought of Chef Alice Waters cooking, responded, “That is not cooking, that is shopping.” I wish this was as easy as he makes it sound, but hunting down the perfect ingredients needed to make dishes like those at Chez Panisse is anything but. Chef Waters has created a community of farmers and producers in the Bay Area to provide the high quality ingredients she uses. In Italy, this model of community-based local farmers and producers has existed for hundreds of years. Our goal on our Italiaoutdoors Italy tours is to discover some of these local producers, and educate ourselves on good food by cooking with and eating the very best.
When in Italy, I live in the center of the city of Vicenza, and just downstairs from my apartment is a lovely little family owned produce market that offers wonderful local produce. You find one of these every few blocks in Italy; in cities in the US these have virtually disappeared, replaced by Starbucks and 7-11. In Italy we see traveling vegetable vendors with portable stands that they proficiently assemble in minutes from the backs of an ordinary van, moving from town to town following a weekly schedule. In Venice, a gondola is their van. The array of fruits and vegetables changes weekly, with some items – like white asparagus – only available a couple of weeks each spring. Here in the US, supermarket produce sections look the same in February as they do in September, with products shipped in from across the globe.
I watch my Italian neighbors confidently shop, knowing what to do with items even I cannot identify, which tomatoes are best for bruschetta, which potatoes make the lightest gnocchi. When I ask for a melon, the shopkeeper asks when I wish to eat it – today? Sunday? – and selects one with just the right ripeness.
One vegetable I see all year round here in the US is zucchini. I am not sure an Italian would even recognize our zucchini, as in Italy you never see one much longer than 6-8 inches, and they often are sold with the flower still intact.The foot long or larger version your neighbor gives you from their garden would have most Italians shaking their heads. Of course, if your are a large industrial farm, with a goal of maximizing dollars per pound, this large size makes sense. But the end product has little taste, and requires more complicated preparation techniques to bring out what flavor remains.
If you can find nice baby zucchini, here’s a great example of what can be done by simply combining a few perfect ingredients. Baby zucchini, Parmigiano-Reggiano cheese, balsamic vinegar, extra virgin olive oil. The links here will lead you to my articles on these items and how to select the best. The latter three keep well and I always have on hand. This summer salad is from Trattoria Antica Cereria in Parma. It is included in “Osteria: Slow Food Editore” by Rizzoli. You could do the same with nice ripe tomatoes, fava beans, artichokes. And if all the hard work is in the shopping, pour a glass of wine and enjoy a few additional moments off your feet. I enjoyed this with a glass of Nebbiolo rosé from Malabaila winery in Piedmont.
If you prefer not to eat your zucchini raw, you can steam the zucchini for a few minutes to soften them.
Insalata di Zucchini e Pinoli
Serves 4
1 pound baby zucchini, thinly sliced in to rounds
3/4 cup pine nuts
1 cup Parmigiano-Reggiano shavings
2 tablespoons balsamic vinegar
1/2 cup extra-virgin olive oil
In a bowl, combine the zucchini, pine nuts and Parmigiano Reggiano. Gently mix to combine.
With a fork, whisk together the vinegar, olive oil and pinch of salt until amalgamated. Use the mixture to dress the salad, then let sit for about 15 minutes before serving.
As I spend a delightful spring afternoon strolling through the picturesque quiet streets of Neive, admiring 13th century villas and charming churches, watching local families enjoy tasty-looking outdoor lunches at quaint trattorie, I keep an eye out in the distance for the lovely vistas of valleys and vineyards that reveal themselves between the ancient edifices. This is one of my favorite little towns in Italy, and the start point of our Italiaoutdoors Piedmont walking tour. But it took a visit with Matteo at Castello di Neive, one of the leading producers of Barbaresco, to reveal the history that, unbeknownst to me, lay beneath my wandering feet.
The winery is today located in the eponymous Castello di Neive on the towns south-western border. Neive is one of the three villages in the Barbaresco wine zone. This picturesque walled town dates back to the 12th century. A castle was first built on this spot during the foundation of Neive, but was destroyed in 1274. Other castles followed, built on the old foundations, until the beginning of the 18th century when Manfredo Bongioanni, the Count of Castelborgo, built the castle I visit today. A defensive wall with sentry boxes links the castle and its gardens to the southern gate of the town, just steps away from the lovely town center where diners are savoring their glass of Barbaresco. The castle was completed in 1753, when the beautiful internal chapel was officially unveiled.
Today the castle cellars are still used for wine production, thanks to the original innovative design which has accommodated, and even facilitated modern vinification techniques and equipment. The cellars were constructed with very high ceilings to allow the use of big barrels. In these very cellars, during the 19th century, the French oenologist and wine trader Oudart, a name renowned as one of the key players in the creation of Barolo, was operating as a consultant to the Count of Castelborgo. He is credited by many (but not all) as the first in the area to obtain a dry, stable and therefore easily exportable wine from Nebbiolo grapes, first in the nearby town of Barolo. When used here, he called the wine ‘Neive’ and in 1857 this wine won a gold medal in London. The first ‘Barbaresco’ was produced thirty years later, using the same techniques employed by Oudart.
My guide Matteo took me through the cellars and shared the history of the current winery. This 150 acre estate is owned by the Stupino siblings – Anna, Giulio, Italo and Piera. They were all born in Neive, the forth generation of a local family. In the 1960s, their father, Giacomo, began to purchase vineyards and land in the most favorable locations for viticulture, Messoirano, Montebertotto, Basarin, Valtorta, I Cortini. They began first producing wine for their own consumption, and selling their remaining grapes. In 1964 they purchased the castle with its spacious cellars, and more land in the prime areas of Santo Stefano and Marcorino. They began a renovation of the cellars and reorganized the vineyards, and in the 70s began to produce their own wines and sell them.
Today they cultivate a wide variety of grapes – Nebbiolo, Dolcetto, Barbera, Grignolino, Pinot Nero (which is used in their sparkling wines) and a lone white, Arneis. The last has an interesting story – Matteo told me that the impetus for the use of Arneis came from Italo’s wife, who only drinks white wines. The result was a collaboration between Italo and some experts from the University of Turin, as they sought a local white grape to add to their portfolio. Together with the University, Castello di Neive put into place a clonal selection program with Arneis, a white grape long ignored due to its low yield, and a general lack of local knowledge in white wine vinification methods. They took 30 – 35 different Arneis clones and planted them in different vineyards throughout Langhe and Roero. After evaluating the results, they selected the best 3-4 to reintroduce to the area and produce white wine.
We started in the castle courtyard, where Matteo pointed out the large rare steelyard and wine press. The steelyard was used to weigh the grapes and wine carts as they came and went, as the farmers who supplied the grapes were paid by weight. We move inside, and on this level the cellar stands about 4.5 meters high, very high ceilings for 1700s construction. Here, in this temperature controlled environment, are racks of barriques and larger oak barrels for aging.
An adjacent cellar has a slightly lower vaulted ceiling (3.5 – 4 meters high), found here are 35-hectolitre Allier oak barrels used for ageing. Leading off of this cellar, almost requiring us to now lower our heads to enter an ‘infernotto’, a term new to me that refers to the deepest part of the cellars. I’ve lost my bearings, but Matteo orients me and I learn that this infernotto was built into the hill and passes under the adjacent houses of Neive, where I had been wandering earlier that day. This infernotto was uncovered in 1996, and had likely been used as a stable for small animals like sheep and goats. The room had been closed off with a wall approximately 300 years ago, to prevent unpleasant odors from entering the cellar. It is not deemed suitable for any winery use today, but it does provide visitors a nice view of the many layers of marl that make up the terroir of Barbaresco.
We pass through more cellars, these currently empty but destined to become event space for the winery. We arrive at yet another infernotto, more finished and less damp than the first. This was the old larder, where in winter snow was gathered to preserve fresh and cured meats, eggs, cheese, and bottles of Nebbiolo wine. This corridor, which runs from the castle’s cellars well into the depths of the hill, inspired the family to produce a Metodo Classico wine. Here, temperatures remain between 45 – 55 F no matter the season, the ideal temperature for the production of sparkling wines. These are Pinot Nero based sparkling wines, and production began with the harvest of 1995. A traditional wooden riddling rack held a few bottles for demonstration purposes.
As we exit the infernotto, I spot a small assortment of wine bottles well-covered with sediment. These are older vintages of their Arneis wines. Matteo informs me that the staff opens one every once in a while, and find them still drinkable well past the expected expiration date. I’ll recall this secret treasure trove next time I’m above in Neive enjoying a glass of crisp Arneis at an enoteca! On that note, it is off to the tasting room where Matteo set me up with an enlightening tasting of their wonderful wines.
Langhe Arneis Montebertotto 2016
The Montebertotto vineyard and its neighbor Messoirano cover an entire hill, and enjoy an extremely favorable exposure and microclimate. It is in this vineyard that, in 1978, the collaboration with the University of Turin on the clonal selection of the Arneis grape began.
Straw yellow, with green notes. Arneis is a medium-bodied wine, fresh and floral with stone fruits, pear, grassy. Crisp acidity with bitter almond notes on the finish. Enjoy with antipasti and light pasta dishes.
Vigna Basarin Dolcetto d’Alba 2015
Dolcetto, the “little sweet one” is neither little nor sweet. Wines made with Dolcetto are quite dark in color with flavors of blackberry, licorice, and tar. The wines typically don’t age well due to their low acidity, but offer plenty of tannin. This is one of the everyday drinking wines of the Piedmontese.
Basarin is one of the 8 vineyards owned by Castello di Neive, the very first one they purchased. The current owner recalls childhood picnics to this hill, where, armed with baskets full of food and bottles, they met aunts and relatives, all dressed up, and feasted on Dolcetto grapes and bruschette. Today they own the top half of the Basarin hill. The reputation of the Dolcettos obtained from grapes grown on this hill has always been high. Father Giacomo, who knew the nature of its soil and how windy the hill can get, always insisted they should never plant any Nebbiolo there. So even though it is officially now part of Barbaresco, they still planted Dolcetto here.
Ruby red with violet reflection. Intense fruit aroma with notes of jam, eucalyptus and herbs. Well balanced, nicely structured, with notes of ripe fruit, elegant finish.
Vigna Santo Stefano Barbera d’Alba 2016
Barbera is the most planted red grape variety in Piedmont as it is a bit less exacting than Nebbiolo. Barbera wines from Piedmont are dark in color and taste of black cherry, licorice, and dried herbs.
In 1964, during the negotiations to acquire the Castle and its vineyards, Giacomo had to choose between a piece of land where a vineyard had already been planted, and the Santo Stefano farm, where the land was mostly fallow. Giacomo recognized the great potential of Santo Stefano, and chose to acquire that wild hill, transforming Santo Stefano into the high quality vineyard it is today.
Intense ruby red with purple tinges. Ripe cherries with hints of spices, nice complexity, well-structured, balanced acidity. Persistent finish.
Gallina Barbaresco 2014
The Gallina vineyard is planted with Nebbiolo for Barbaresco, with Pinot Grigio, Riesling italico and Pinot Bianco for a Castelborgo Brut made using the Charmat method (used for Prosecco) and with Pinot Nero for Metodo Classico.
Bright garnet red in color. Delicate floral perfume with cherry notes. Full and aromatic flavors of cherry, licorice tar, with fine and elegant tannins.
Santo Stefano Barbaresco 2014
The aforementioned Santo Stefano hill first planted by Giacomo is now regarded as one of the premier crus for Barbaresco.
Bright garnet red in color. Elegant, with aromas of eucalyptus and floral notes typical of this particular vineyard. Beautifully structured with balanced tannins with refreshing acidity and persistent finish.