Piedmont’s Langhe area is renowned for its picturesque rolling hills and world class red wines, earning UNESCO recognition for both their natural beauty as well as distinguished wine tradition. While Barolo is typically the main attraction, we begin our Piedmont Walk and Wine tour in the Barbaresco zone, discovering this elegant and approachable sister to Barolo.
Let’s first look at the similarities between the two. Barolo and Barbaresco are two classic wines from Piedmont. Both are 100% Nebbiolo, a native grape of the region. Both are classified as DOCG by the Italian government, the highest quality designation. Both zones are located in the Langhe hills, a series of steep isolated hills separated by valleys with flatter land. The Barbaresco zone lies just to the north and east of the city of Alba, the main villages of the area are Barbaresco, Neive, and Treiso. The Barolo zone lies to its southwest, a bit further afield, encompassing the towns of Barolo, Serralunga d’Alba, Monforte d’Alba, Castiglione Falletto, Novello, La Morra and Verduno.
The Langhe hills have been producing wines for thousands of years, back to Roman times. Historically, the populace preferred sweet wines, and Nebbiolo, being a challenging grape to grow, took a back seat to local grapes like Barbera, Dolcetto and Freisa. In the early 1800’s, Piedmont was ruled by the French kingdom of Savoy, and local noblemen, influenced by the French wines, began to innovate. The Marchese and Marchesa Falletti of Turin brought a French wine technologist, Louis Oudart, to their estates in Serralunga and La Morra to introduce viticulture practices like barrel aging and temperature control. Slightly later, Camillo Benso, the Conte di Grinzane, hired Oudart to develop a style of wine that was more like the contemporary Bordeaux red wines, dry and barrel aged.
Initially, the grapes grown in the Barbaresco zone were sold to Barolo producers to include in their wines. At the end of the 19th century, Barbaresco was created as a wine name of its own when the producers of Barolo refused to extend their name to include wines from the towns around Barbaresco. In the early 20th century the wine producers of the area suffered several set-backs, first, the root louse phylloxera, followed by two World Wars, separated by the great depression. When post-war recovery began in the late 1940’s, Barolo and Barbaresco wines resumed their rise in quality. They both became DOC wines in 1966, and were granted DOCG status in 1980.
Although close in proximity, one difference in Barolo and Barbaresco is in the terroir. The Barbaresco zone is near proximity the Tanaro River. The river generates warmer morning temperatures, so the grapes mature earlier. Both soils are calcareous marl, a lime-rich clay-based soil. But the soil in Barbaresco is richer in nutrients and, because of this, the vines don’t produce as much tannin as found in the wines of Barolo. Barbaresco exhibits Barolo-like qualities; aromas of roses, perfume and cherry with a persistent finish. But it is fresher, drinkable earlier, with typically less tannins. These high tannins require longer aging to tame, so Barbaresco only requires 2 years of aging, rather than the 3 required for Barolo. Both wines are not always full-bodied and dark in color. But they are complex and well structured. Many described Barbaresco as more “feminine” than its counterpart.
Barbaresco’s growing zone is small, just 1,823 acres, producing just under 5 million bottles per year. That is fewer than one bottle per resident of the Piedmont region of Italy. The village of Barbaresco is the historical heart of the denomination and the center of production. Its complex combination of calcareous clay, marl, and sandy veins produces the most complex and age worthy wines in the zone.
Neive, a lovely walled town where we begin our tour, produces a wide variety of styles, from younger and fresher to full-bodied and tannic. Vineyards on Barbaresco side are more tannic and structured, those on the east have more sand and yield less structured, more accessible wines.
Treiso holds the highest altitude vineyards in the denomination, with the largest diurnal temperature variations. These wines are more floral, fresh and elegant.
Barbaresco became the first wine area of Italy to officially map out its crus and has incorporated those vineyard delineations into its DOCG. The following map, put out by the Consorzio di Tutela Barolo Barbaresco, illustrates the crus.
Adventurous clients on our Italiaoutdoors Food and Wine tours in Italy appreciate being introduced to the distinctive regional dishes that are unique to the areas we visit. These are not dishes you will find at Olive Garden, but authentic cuisine that reflect the history of the region. Many of these can be so local that you will only find them in a few small isolated towns, not even on menus across, say, an entire region like Tuscany.
One example of such a dish is testaroli. We sample this on our walking tours to Cinque Terre, Liguria and Tuscany. A specialty pasta of Northern Tuscany, production is centered in the Lunigiana area, around the villages of Pontremoli, Fosdinovo and Castagnetoli. You can find them in shops and restaurants in the province of Massa-Carrara and La Spezia area, which is where I enjoyed it on a visit to Portovenere on the Ligurian coast, the starting point for our walking tours to Cinque Terre. Outside of this limited area, it’s really difficult to find, even in other parts of Tuscany or Liguria.
Testaroli is a classic example of “cucina povera”, the food of the peasants, made of simple, inexpensive ingredients. Some claim that they are the first kind of pasta, dating back to Ancient Rome. A testarolo (singular) is a thin, pancake-like disk made from a batter of only flour, warm water and salt. It is cooked on a traditional cast-iron griddle, made of two pieces, called a “testo”. Both pieces are placed on a wood-burning fire until they become red-hot. When the bottom piece, the “sottano”, has reached the right temperature, the batter is poured on to it and it is covered with the “soprano”. When the testarolo is cooked through, the disc is cut into diamond shapes and cooked in boiling water, like pasta, then served with fresh pesto.
Artisanal testarolo, cooked using these two plates, differs from the more widely available industrial version. The industrial version uses only one steel plate, heated by gas flames, without being covered. The difference is clear: authentic testarolo is full of holes created by water evaporating from the batter, and is thin, soft and light. The industrial version is dense, heavy and thick. The Slow Food Presidium has named the Artisanal Pontremoli Testarolo to it’s official list of Presidia products, in order to preserve this ancient cooking method.
This is basically a crepe batter, cooked, then cut into diamond shapes and boiled like pasta. Enjoy with Pesto alla Genovese (my recipe here), and a nice Ligurian wine like this Ciliegiolo rosé from Bisson. Ciliegiolo is a red wine variety, named after the Italian for ‘cherry’. It is a minor blending component of Chianti, and a relative of Sangiovese.
Testaroli con Pesto alla Genovese
1 1/2 cups all-purpose flour
1 1/2 cups water
1 teaspoon sea salt
Vegetable oil for cooking
1 tbsp toasted pine nuts
Grated Parmigiano Reggiano cheese
Whisk together flour and water and salt. Let sit for 30 minutes at room temperature.
Heat a lightly oiled nonstick or cast-iron frying pan over moderately high heat. When pan is hot, pour in about 1/3 cup of batter. Tilt the pan in all directions so the batter spreads evenly over the bottom. When the crepe is set, flip it over and briefly cook other side. Transfer testarolo to a plate. Continue to cook the remaining testaroli, adding a little more oil to pan if necessary.
Cut each cooked testaroli into diamond shapes about 1 1/2 inches on each side.
Bring a large pan of water to boil over high heat. Salt the water liberally. Cook the testaroli in the boiling salted water briefly, about 3 minutes. Cook in batches if necessary to avoid crowding. Remove from boiling water.
Place testaroli on warm serving plates, top with Pesto Genovese. Drizzle with some olive oil, and sprinkle some toasted pine nuts and Parmigiano Reggiano cheese. Serve immediately.
The Soave DOC zone is located in the hills surrounding the town of Soave, a beautiful walled town that is our launching point for our Italiaoutdoors Food and Wine Amarone Walk and Wine tour. The vineyards lie in the Tramigna, Mezzane, Illasi and Alpone valleys of the Veneto. The grape variety featured in this DOC is the white Garganega, one of the premier indigenous white grapes of Italy, which is used either alone, or can be blended with up to 30% Pinot Bianco, Chardonnay, or the traditional blending grape, Trebbiano di Soave.
I recently spent an afternoon with an award winning producer of both Soave and Valpolicella wines, Prà. Graziano Prà comes from a family of grape growers, as both his father and his grandfather grew grapes for other producers. Graziano had more ambitious plans, heading to the wine college in Conegliano in the 80’s, then returning home to begin producing his own wines. Today he is still in charge of the winemaking, still driven by a belief that a quality wine comes from local varietals that thrive in the extraordinary terroir of his land.
Soave is a relatively small area, but this DOC produces more still, dry white wine than any other in Italy, and is home to over 3000 growers. The area has volcanic origins, where over time the lava flows have turned into sediment. The basalt soil is dark, and rich in minerals that express themselves strongly in the relatively neutral palate of the Garganega grape. But there are marked differences in terrain, obvious as you approach, between the vineyards in the hills and those on the flat lands.
Prà is located just outside of Monteforte d’Alpone, the family’s original estate. Here, among 30 hectares of vineyards, Graziano erected a modern production facility in 2009. The family also owned an additional 2 hillside hectares in the Soave Classico zone nearby at Montegrande. We headed here to see firsthand this unique location, home to the best white wines in the Prà porfolio.
My host Giulio drives me along narrow farm roads, then up a steep, rutted gravel road to the Montegrande vineyards. A fountain built by Graziano marks the beginning of their property. To the left are rows of Garganega vines, identifiable by the pergola trellising system. The pergola system trains the vines up vertical stakes, then along an overhead pergola to create a lovely canopy. Its advantages are that it shades the ground in hot, arid climates to preserve moisture, and shades the thin skinned Garganega fruit from direct sunlight. Nearby, a smaller plot has vines trained using the Guyot system, these are the Trebbiano grapes which are thicker skinned and less susceptible to damage from the sun.
Giulio describes for me the unique drying process they employ in this vineyard, which they call ‘taglio del tralcio’, or ‘cutting of the shoot’. One month before harvest, workers come through the vineyard and partially cut through the stem just above each bunch of grapes they plan to harvest. This cut interrupts the flow of water to each bunch, causing it to dry out over the next month. When they return to harvest, the grapes have dried for a month, concentrating sugars and flavors.
After an auspicious start to his wine production career focused on white wines, Graziano branched out to red. Keeping close to his roots of wines based on local varietals grown in exceptional terroir, he began his search. His long hunt for the perfect vineyard brought Graziano to the high marl slopes of La Moradina in the Valpolicella zone. Sitting on white soil of chalky rock, ancient clay and marine sand, La Morandina is located at 500 mt altitude on rubble and schist. The grape yield is very low, giving more body to the wines. The high levels of chalk and marl produce wines that are fine and elegant with good freshness and medium body, perfect for long aging and easy drinking.
Back at the estate, Giulio set up a tasting for me on a lovely terrace with a panoramic view of their vineyards. I enjoyed tasting a variety of wines from their wonderful portfolio.
Otto Soave Classico
100% Garganega, from their vineyards in Monteforte d’Alpone. The wine is fermented and matured in stainless steel vats.
Pale yellow in color, with a floral bouquet with notes of stone fruits. Medium body, lots of fruit flavor with mineral notes. Excellent with an antipasti of Berico Euganeo prosciutto and Asiago cheese.
Staforte Soave Classico DOC
100% Garganega, from their vineyards in Monteforte d’Alpone. A selection of the best grapes from the vineyards. The wine is fermented and refined in stainless steel vats with regular batonnage for 6 months.
Bâtonnage is a French term for aging the wine a bit on the “lees”. The lees are the sediment of winemaking, made up of dead yeast and bits of grape seeds and solids. Winemakers sometimes like to keep some of these solids in contact with the wine as a way to extract flavor, aroma and texture.
If left alone, these solids will settle to the bottom of a barrel, where they run the risk of producing hydrogen sulfide. Bâtonnage prevents this, by stirring the wine on a regular basis, instead of just letting it sit on the bottom. Prà has invested in stainless steel tanks with paddles at the bottom specifically designed for stirring the settled lees as needed.
Strong nose of apple and fresh stone fruit, with floral notes. Smooth and round with a nice minerality and persistent finish.
Pairs with raw fish and shellfish, as well as lighter pasta dishes.
Monte Grande Soave Classico DOC
70% Garganega, 30% Trebbiano di Soave from their Monte Grande vineyards. The grapes are ‘taglio del tralcio’ one month prior to harvest. Fermentation is carried out in large casks made of Allier oak. The wine is then left in the casks to mature for 10 months.
Minerality is the distinctive characteristic of this cru. A wonderful scent of ripe tropical fruit and citrus. A elegant, fresh palate with notes of vanilla. Should age well.
Perfect with shellfish and fish dishes as well as risotto and light pasta dishes.
Colle Sant’Antonio Soave Classico DOC
100% Garganega from their Monte Grande vineyards. The grapes are ‘taglio del tralcio’ one month prior to harvest. Fermentation is carried out in casks made of Allier oak. The wine is left to mature in oak for 18 months.
Intense yellow in color. A very fruity nose with notes of spice, vanilla, and honey. Full bodied with a crisp acidity. Complex palate with flavors of nuts and dried fruit.
Perfect with local specialties like sarde in saor and baccalà alla vicentina.
Passito Bianco Delle Fontane
This is Pràs sweet passito style dessert wine. 100% Garganega, only the most sun ripened are selected from the vineyards for this wine. Grapes are dried for one month. Refined in stainless steel vats.
This wine has a deep golden color. Sweet aromas of stone fruits and honey. Rich and full-bodied, flavors of dried fruits and citrus with a long finish.
Pair with aged and blue cheeses, as well as traditional desserts such as sbrisolona and zaleti.
Morandina Valpolicella Ripasso DOC
A blend of traditional Valpolicella grapes Corvina, Corvinone, Rondinella, Oseleta from their organic vineyards in Mezzane and Tregnago.
Ripasso wines are made by employing a second fermentation of Valpolicella wine over the Amarone dried grape skins. Maceration for 5 days. 12 months aging in tonneaux of Allier.
Ruby red color with hints of purple. Typical aromas of fresh cherry and spice, cherry and plum flavors with black pepper and well-balanced acidity.
Pair with red meats and meat based pastas or risottos.
Amarone Della Valpolicella DOCG
A blend of traditional Valpolicella grapes Corvina, Corvinone, Rondinella, Oseleta from their organic vineyards in Mezzane and Tregnago.
Grapes selected by hand, dried for 2 months. The grapes are destemmed, pressed and vinified. Fermentation for 15 days in vertical stainless steel vats. 2 years aging in tonneaux and barriques, the last year in large Allier oak casks. One year bottle aging.
Bright ruby red. Intense aromas of plum, cherry and spice. Typical flavors of cherry, plums, ark chocolate. Elegant structure, well-balanced tannins.
Enjoy with roasted red meat and game, as well as flavorful braises. Also goes well with aged cheeses, like Parmigiano Reggiano.
We indulge in many wonderful Italian specialties with guests on our private walking and cycling tours in Italy, but one that always generates lots of discussion is Parmigiano Reggiano cheese – primarily because it can be found back home in the US and our guests want to be educated consumers when they return. What is it? What do I look for when I buy it? Is there a good substitute? Can I buy some here and bring it home? I’ll address a few of this questions here, and finish with an easy and elegant recipe featuring the “King of Cheeses”. I reference Lynn Rossetto Kaspers’s “The Splendid Table” for some of the following information.
What is Parmigiano Reggiano cheese?
It is a part skim cow’s milk cheese, aged 18 months to 4 years or more. Production is limited to the Italian province of Emilia and a small part of Lombardy. It is a grana (grain) style cheese, a generic term for aged Italian hard cheese whose interiors are speckled with grain-shaped white flecks of crystallized amino acids that often crackle in the mouth. For the details of the production process and quality controls, see my recent article covering my visit to a producer of Parmigiano Reggiano in Parma.
What do I look for when I buy it in the US?
The identity of Parmigiano Reggiano cheese for sale here in the US is confusing, as it is widely imitated, typically very poorly. There is ONLY one type of Parmigiano Reggiano cheese, and this comes from the aforementioned regions in Italy. It is not produced here is the US. It does not come pre-grated in a green can. It is not sold as “Parmesan” cheese.
You can find true imported Parmigiano Reggiano cheese at specialty grocers. It is made only in large 800 lb. wheels, so the wheel itself may not be on the premises. It will be broken up into smaller pieces, and wrapped tightly in plastic wrap, or cheese paper if it is cut at purchase. It will not be sold already grated; it should never be grated until you are ready to use. Look for the words PARMIGIANO REGGIANO to be marked repeatedly on the rind; this unique stencil is tightly controlled by the producers and identifies the authentic product.
It is unlikely you will find a store here in the US that offers more than one option as to the age of the Parmigiano Reggiano cheese; typically here I find 18 month or 24 month.
Store in the refrigerator, it will keep for about a month.
Is there a good substitute?
Of course, true aficionados will say “No!” But a nice imported “grana” cheese will do for most culinary uses, like Grana Padano. This cheese goes through a very similar production process, but is not from the authorized producers in the provinces of Emilia and Lombardy. However, I would save my 25 year old bottle of Traditional Balsamic Vinegar from Reggio Emilia for the real stuff.
Can I buy some in Italy and bring it home?
Yes, Customs allows you to bring home hard and semi-hard cheeses. You can find the cheeses already vacuum packed, they will keep 3 months like this. A hard, aged cheese like Parmigiano Reggiano will be fine unrefrigerated in your luggage for the day you will travel. Just make sure to declare to Customs, it is not worth risking the hefty fine. You may want to make sure it is easily accessible in your luggage should they wish to inspect.
In Italy, you will have the option of purchasing Parmigiano Reggiano cheese of different ages – 18 month, 24 month, 30 month, even 48 month; you can take home a few to compare the differences. Older is not always better, an Italian nonna would recommend a younger cheese, which will have a more delicate flavor, as part of an antipasti, accompanied by raw vegetables, fresh fruit, or paired with a mild fruit or fig jam. A 24-month old Parmigiano Reggiano is best grated on traditional Italian pasta dishes or soups, or served with nuts and dried fruit. A 26 to 30-month old Parmigiano Reggiano would be used to enhance flavor of main courses, served as shavings on meat with a drizzle of extra-virgin olive oil. The ultimate indulgence is to pair the most exclusive 48 month aged with a few drops of the thick, luscious Traditional Balsamic Vinegar from Modena or Reggio Emilia.
The Parmigiano Reggiano consortium offers a nice array of recipes on its web site. It includes a recipe for a cheese souffle, elegant, but intimidating! A sformato is similar to a soufflé, but is not as airy, with no risk that it will deflate. Italians will also use the French word flan for this type of preparation.
Sformato di Parmigiano with Caramelized Pears
Adapted from “Eating My Way Through Italy” by Elizabeth Minchilli
Serves 10
2 tablespoons butter
1 cup heavy cream
3 1/2 ounces 24- to 30-month-old Parmigiano Reggiano cheese, finely grated
4 large eggs
1 ripe, but firm, pear, thinly sliced
2 tablespoons granulated sugar
2 tablespoons of Aceto Balsamico di Modena
Aceto Balsamico Tradizionale for drizzling
Ten 1/2-cup molds or muffin cups
Preheat the oven to 325°F. Butter the interior of the molds or muffin cups.
Put the heavy cream and eggs in a large bowl, whisk to combine. Add the grated Parmigiano Reggiano, whisk until smooth.
Divide the mixture among the buttered molds and place them in a large roasting pan, filling it halfway up with very hot water.
Place the pan in the oven and bake for 45 minutes, until the sformato are set – they don’t wiggle when you shake them – and they are lightly browned. Remove from oven and allow to cool.
Heat a non-stick frying pan over medium-high heat. Add 2 tablespoons of water and add the pears. As soon as they begin to brown, sprinkle them with the sugar, turn them over, and cook them on the opposite side.
Reduce the heat to medium. Drizzle with 2 tablespoons of the Aceto Balsamico di Modena and let it evaporate. Remove from heat.
Run a knife around each between the mold and the sformato to loosen the sformato. Invert the sformato onto individual serving plates. Arrange a few slices of pear next to each. Drizzle with Aceto Balsamico Tradizionale.
Our Italiaoutdoors Tuscany Walk and Wine tour is an immersion into the history, natural beauty, culture and cuisine of two of Tuscany’s finest wine zones, Montepulciano and Montalcino. One of the truly unique destinations on our daily walks is Podere Le Ripi, a Brunello producer just south of Montalcino.
Founded in the late 1990s by Francesco Illy of the Illy Espresso family, this unique property was wilderness prior to Francesco’s arrival. For thousands of years, it was not populated due to its poor soil unsuitable for farming, and its inhospitable climate with extremely hot summers and frozen lakes in the winter. In spite of this, Francesco found four hundred years old olive trees, incredibly diverse forests, and flowers everywhere, all year around. Wild asparagus, porcini mushrooms, blackberries, the white and black truffles, with rabbits and deer, boar and porcupine.
One of Podere’s young winemakers, Giovanni Stella, took some time to show me around. Giovanni is one of a team of young, passionate people who enjoy the freedom and challenge of producing wines in an authentic yet innovative way here at Le Ripi. We began in the vineyards with the terroir – where the essence of a great wine begins. Giovanni points out “Le Ripi”, the cliffs, tenacious clay based hills that remain after thousands of years of erosion have washed away the surrounding soil. The soil here is clay, quite still salty as millions of years ago this area was a sea. Limestone boulders remain, rounded down from centuries of sea and river waters. Many minerals are found in the soil here, just 7 miles from Monte Amiata, an ancient volcano. Today Podere grows both Sangiovese as well as Syrah and Merlot. This clay soil presents itself in powerful, intense wines, salty, with good acidity.
A second vineyard parcel north of Montalcino was added later, which has less clay, and more schist and stone. These terroir contributes more fruit, especially peach, and more elegance to the Sangiovese grown here.
When first planting the vineyards, Francesco was so inspired by the distinctive qualities of the soil and the beauty of the flora that, rather than using large equipment to tear up a whole field, he chose two long rippers to move the soil without turning it upside down. The fields kept their original shape, with curves and slopes that you do not see in other vineyards.
They began planting Sangiovese in 2000 with a pretty standard density of 5,000 plants per hectare. But Francesco has always admired the wines of Burgundy, where the density tends to be higher (higher density = fewer grapes per plant and, therefore, higher quality) so in 2002 he reduced the distance between the rows from 2.5 to 2 meters and reached a density of 6,666 plants per hectare. In 2003, even denser: five rows at 1 meter and one at two meters to allow the tractor to go through: 11,000 plants/hectare.
Then Francesco took it up a notch. He quotes a winegrower in Burgundy: “A vineyard can produce good grapes only after 35 years.” He thinks “Should I wait until I get to ninety to start producing a great wine?” So he decided to try something totally out of the box: planting at such a high density that the only direction the roots can grow to find water and nutrients is straight down. The roots develop the deep root system in just a few years that normally would take decades in a standard vineyard. These deep roots go through many different geological layers, displaying as more complex flavors in the resulting wines.
This experiment became his Bonsai vineyards. Instead of rows, these are planted in 4 x 4 meter squares, with 121 plants per square. Each plant has a thin support pole vine training system, called “alberello” in Italy, meaning “small tree”. At only 40 centimeters (16 inches) between grape plants, this is the densest vineyard in the world, at 62,500 plants per hectare, 4 times as many plants as found in most vineyards in Burgundy.
Experts told Francesco he was crazy and that the plants would simply die. But in fact, the opposite happened: the mortality rate of the Bonsai stopped at 8%, where the other vineyards had an average of 30%. Only two and a half years later (typically this takes 4 years) they made the first barrique of wine, the Bonsai Sangiovese 2007.
As ambitious as the Bonsai project was, it wasn’t the only task undertaken by the team. At the same time, Podere Le Ripi began to adopt biodynamic viticulture. Started in the 1920’s by an Austrian philosopher named Rudolph Steiner, biodynamics is a homeopathic method of farming. It is the first non-chemical agricultural movement, predating organic farming by about twenty years. All activities, from planting to pruning to harvesting, are performed according to a biodynamic calendar which divides days into four categories: Root, Fruit, Flower and Leaf days. Root days are for pruning, you water only on Leaf days, harvest only on Fruit days and leave everything to rest on Flower days. Special natural mixtures and tisanes, insects and hormones are used to control pests and diseases. The result is soil that remains close to its woodland origins; less compact, complex with lots of natural humus and teaming with biological activity, from worms to insects to cover crops to bacteria.
And along with all of this, there was the construction of the Golden Cellar, maybe their most ambitious undertaking of all. A team project, involving Francesco’s sons Ernesto and Marco Pasqui, this magnificent cellar was built using only ancient construction techniques, using the spatial dimensions of Golden Ratio (1:1.618033) found in various architectural masterpieces from Stonehenge to the Parthenon. Constructed solely from natural clay bricks held in place with a mortar made of lime, this building was created as a spiral, descending along a continual slope. Fermentation occurs in the upper part, the bottling line as well as the ageing in the lower levels in order to allow the wine to flow between stages by gravity.
Fermentation occurs in open oak vats, using only the indigenous yeasts occurring naturally in the grapes. Most of their wines age more than 4 years in oak vats and casks of different capacities, Sangiovese typically in 500 liter tonneaux, while Merlot and Syrah in the smaller barriques. The winemakers here then take their time to refine the wine further after barrel aging, first with a few weeks in cement tanks to ‘wean’ them off the oxygen that can permeate wood, but not cement. Then they age for another year or even 18 months in the bottle, allowing the tannins to relax and the wine to become more round and complex.
Now to the wines! Giovanni led me to their lovely tasting room, with a spectacular panoramic view.
Amore e Follia 2014
100% Syrah, the name translates to Love and Folly, as everyone thought Francesco crazy to grow Syrah here. Fermentation and maceration for 25 days in open-tops oak tuns. 28 months of aging in big oak barrels, followed by 12 months in bottle.
Deep purple red, aromas of woodland berries with floral notes. Distinctive tannins with a great minerality, a slight bitterness finish. Serve with pasta with meat sauce, roasted meats, aged cheeses.
Amore e Magia 2014
A Rosso di Montalcino DOC, 100% Sangiovese. Same grapes, same yield as their Brunello, just a year less of aging. Fermentation and maceration for 25 days in open-top oak tuns. 30 months of ageing in the big barrels followed by 1 month in cement vats
A deep ruby red with orange tinge. Aromas of red fruit, violets, and herbs. Well structured, nice minerality. Serve with pasta with meat sauce, roasted meats, aged cheeses.
Cielo D’Ulisse 2013
A Brunello Di Montalcino DOCG wine ,100% Sangiovese. Prior to 2012, Podere Le Ripi produced only one Brunello, a blend of grapes from both vineyards. Now, they offer two single vineyard Brunello. This one is from their vineyards north of Montalcino. The soil here is not as clayey, but predominately schist and limestone.
Fermentation and maceration for 20 days in stainless steel tuns, 36 months ageing in large oak barrels and a minimum ageing of 12 months in bottle.
Classic Sangiovese with its delicate garnet red color. Aromas of wood and red fruit. Freshness and peach fruit, fine quality tannins with a well-balanced acidity.
Cielo D’Ulisse 2012 Riseva
The same Brunello Di Montalcino DOCG,100% Sangiovese, with an additional year of aging, earning the Riserva designation. Much rounder fruit, cherry flavors here. Intense, would benefit from more time in the bottle.
Lupi e Sirene 2011 Riserva
Another Brunello di Montalcino DOCG, so 100% Sangiovese. Soil here is clay and limestone. Fermentation and maceration for 25 days in open-tops oak tuns. 36 months ageing in oak barrels, followed by a passage of 12 months in cement and a minimum ageing of 12 months in bottle.
Deep ruby red with hints of orange. Intense aromas of cherry and strawberry with balsamic notes. Expansive structure and depth with a great minerality, fresh acidity and a slight bitter finish. Serve with roasted meat, aged cheeses and pasta with meat sauce.