Bolgheri Wine Zone – How a Little Known Zone in Tuscany Helped Create the Super Tuscan

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Bolgheri is a relatively new wine zone located on the Tuscan coast, south of Livorno in an area known as Maremma. The zone is named after the town Bolgheri in the north of the region. Here, stony vineyards with high amounts of gravel and patches of clay slope down to the Tyrrhenian Sea, enjoying a dry sunny and breezy climate. In 1983, the Bolgheri DOC was created, defining the few not-very interesting white and rose wines produced here. But just over 10 years later, this obscure little zone would have a profound impact on the Tuscan wine scene.

Italian laws regarding wine production under their DOC system (read my article on Understanding Italian Wines to learn more about this system) dictate, among other things, the specific grape varietals that can be used and their origin. This system can be quite beneficial to maintaining the quality of wines, but can also stall progress, restricting some producers to traditional wines made from indigenous grapes according to long-standing, but outdated techniques. A very frustrating situation for Italian winemakers looking to appeal to an increasing sophisticated international audience.

One region stuck in this situation was Chianti Classico. You may recall the old style Chianti bottles wrapped in a straw covered flask, ironically called a fiasco. In the 1970s this was one of Italy’s most highly exported wines. The traditional recipe for a Chianti, dictated by the DOC system. required a large proportion of white grapes – from 10% to as much as 30%. The result was a fruity, thin wine meant to be consumed young, with no ability to age. An increasingly hard sell to a wine-consuming public rapidly moving towards Bordeaux style wines.

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In quiet Bolgheri, the seeds for a revolution were being planted. At the end of World War II, Marchese Mario Incisa della Rocchetta noticed the similarity between the gravel soil of his home in Bolgheri and the famous Bordeaux vineyards of Graves and the Haut-Médoc. He was inspired to plant Bordeaux varieties – Cabernet Sauvignon and Cabernet Franc – on his estate. He expanded his Cabernet plantings in the early 1960s to include his Sassicaia vineyard. The Marchese partnered with winemaker Giacomo Tachis, and his brother-in-law Niccolò Antinori to produce Bordeaux-style wines from his estates in Bolgheri, introducing innovations including temperature controlled environments, steel fermentation vats, and extended aging in French barriques.

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The Antinori family was already a well-established producer in the Chianti DOC, one of the aforementioned producers chafing at the requirements to include white grapes in Chianti. In the early 1970s, Tuscan wine makers, led by the Antinori family, rebelled. Chianti producer Marchese Antinori released a new wine, Tignanello, in 1974. Instead of the typical native grapes required to be blended with Sangiovese to create a Chianti, Tignanello is a blend of Sangiovese, Cabernet Sauvignon and Cabernet Franc from their vineyards in the Chianti region, produced as a Bordeaux style wine, and aged in French oak barrels, no doubt in part inspired by della Rocchetta’s results in Bolgheri.

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Just four years later, the Bolgheri area jumped out of anonymity to international attention when della Rocchetta’s Sassicaia beat out an assortment of Bordeaux wines at an international blind tasting event held by the UK wine magazine Decanter,.

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These high quality wines were targeting a high price, but could only be called a Vino di Tavola, sharing this name with the lowest quality Italian table wines. So the term Super Tuscan was coined, no coincidence in English, to brand these wines, highlighting their superior quality and differentiating them from the lower quality Vino di Tavolo. Italian law finally caught up in 1992, when the government introduced the Indicazione Geographica Tipica (IGT) designation. This designation provides deliverance from the restrictions on varietals of the the DOC and the higher-level DOCG. Still considered lower quality than DOC and DOCG, Super Tuscans now often appear under the Toscana IGT designation.

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The revolution produced change. Today the Bolgheri DOC includes a Rosso blend which can contain native Sangiovese as well as international varietals such as Cabernet Franc, Cabernet Sauvignon, Merlot, Syrah, Petit Verdot. A Bolgheri Sassicaia DOC was created in 1994, for wines from Bolgheri made with a minimum of 80% Cabernet Sauvignon.

Today this small area with immense potential has attracted additional investment from Italy’s most prestigious producers. Tenuta San Guido, the della Rocchetta family estate continues to produce Sassicaia, as well as Guidalberto (currently a Cabernet Sauvignon/Merlot blend) and Le Difese (a 70% Cabernet and 30% Sangiovese blend).

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In the 1980s, Lodovico Antinori began planting on the neighboring Ornellaia estate. After developing a stellar reputation for Ornellaia wine, he sold the company to Robert Mondavi. Today, the Tenuta dell’Ornellaia estate is fully owned and operated by the Frescobaldi family.

The Antinori family continues to produce wine here in Bolgheri at Tenuta Guado al Tasso. Wines produced here include Bolgheri DOC Superiore wines Guado al Tasso (A blend of Cabernet Sauvignon, Merlot, Cabernet Franc and occasionally a small amount of Petit Verdot) and Matarocchio (100% Cabernet Franc) as well as Bolgheri DOC Il Bruciato (Cabernet Sauvignon, Merlot and Syrah).

Here are some tasting notes for a few of the wines mentioned in this article.

2015 Tignanello

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Still commanding a reputation as one of the premier “Super Tuscans”, Tignanello is produced at the Antinori estate Tenuta Tignanello in Chianti Classico zone, as an IGT wine. The 2015 Tignanello is intense ruby red in color with purple highlights, with aromas of red fruit and sweet spice. The palate is fresh and lively with gracefully balanced tannins. A harmonious and long-lasting finish.

Blend: Based principally on Sangiovese blended with smaller amounts of Cabernet Sauvignon and Cabernet Franc. Aged fourteen to sixteen months in French and Hungarian oak barrels, some new and others already used once previously. The various lots, fermented and aged variety by variety, were then blended together a few months before being bottled. A further twelve month period of bottle aging occurs before commercial release.

2015 Guado al Tasso Bolgheri DOC Superiore

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The 2015 Guado al Tasso boasts rich aromas of coffee, tobacco and leather along with pleasing notes of ripe berries. The palate is bright, fresh and luscious with elegant tannins. The finish is full bodied and persistent. 2015 is a vintage with great aging potential.

Blend: A blend of Cabernet Sauvignon, Merlot, Cabernet Franc and occasionally a small amount of Petit Verdot. At the end of the first year of aging in new oak barrels, the wine is blended and put back into oak for a further six months of aging before bottling.

2016 Il Bruciato

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The 2016 Bruciato is intense ruby red in color. Aromas of ripe red berries, sweet spices, with bright minty notes. The palate is well rounded with pleasant fruit on the long-lasting finish.

Blend: 55% Cabernet Sauvignon, 30% Merlot, 15% Syrah. Aged in small oak barrels for an seven months before being bottled, followed by four months of bottle aging before commercial release.

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The History of Brunello di Montalcino – Walk and Wine with Italiaoutdoors

 

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Immersing ourselves in Italy’s best wine regions, as we do on our Italiaoutdoors Walk and Wine tours, involves discovering these wines from many perspectives – the terroir, the local history and culture, the producers and , of course, a thorough sampling of the wines themselves. I recently wrote a brief article on the distinctive terroir of Brunello, and the important role it plays in distinguishing these unique wines. Here I share a bit about the history of Montalcino, and its evolution from remote rural village to a town that is today internationally recognized as the center of production of one of the world’s most sought-after wines.

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A hilltop town in the Siena province of Tuscany, Montalcino was first settled by the Etruscans. The town supposedly takes its name from the variety of oak tree that once covered the hill. During the late Middle Ages, Montalcino became a local center of commerce, owing to its location on the Via Francigena, the main road followed by pilgrims traveling between France and the Holy City. During this time, Montalcino was known for its tanneries and for high-quality leather goods. Wooden wares were also produced, hand crafted from the oak forests that surrounded the town.

At this time, Europe saw the introduction of the sharecropping system, mezzadria in Italian, in which a local farmer tends a plot of land owned by a wealthy landowner, with the landowner receiving anywhere from one-third to two-thirds of the production. The farmer would feed his family on what remained, so his small plot of land would contain many different crops, with the goal of growing as much as possible throughout the year. Grape vines were cultivated, but they would be grown among other crops, not in a vineyard solely dedicated to vines. A local wine was made, a sweet white wine called Moscadello.

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In 1260, Montalcino was annexed to Siena, and thereafter was affected by the ongoing conflict between Siena and Florence. In 1555, Siena was conquered by Florence under the rule of the Medici family and the rulers and leading citizens of Siena along with their French Allies, took refuge in Montalcino. The city held out for 4 years, until a peace accord was reached, but the siege took its toll and left the city impoverished. The city remained part of the Duchy of Tuscany until reunification of Italy in 1861. Around this time a few wealthy local landowners in the area started experimenting with the production of a red wine. Among them was a pharmacist named Clemente Santi.

Wine production was very different in the mid-1800s. As mentioned earlier, grapes were not cultivated in their own vineyards, with careful trellising; they were interspersed with other crops and trellised to whatever was nearby. Grapes were harvested quite early, when more acidic and not fully ripe, to thwart thieves and avoid any crop loss due to inclement fall weather. After harvest, grapes were not de-stemmed before fermentation, so red wines were rough and bitter. White wines were blended into reds to “mellow” it into something more drinkable. Wine was produced in old barns or other outbuildings with minimal attention to sanitation and no temperature control.

Clemente Sandi was an outspoken critic of the winemaking techniques of that time, including the early harvest and the use of mixed fields of crops. He planted the first real grapes-only “vineyard” in Montalcino, and in 1869 won two silver medals for his red wine. But perhaps his greatest contribution was his grandson, Ferruccio Biondi Santi, who built on Clemente’s discoveries to create the modern-day Brunello.

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By the mid 1870’s, growers in the area were beginning to produce wines solely from the local red grapes, called “Brunello”, little brown ones. Ferruccio focused heavily on the Brunello variety, identifying the best performing plants on his estate. At the time, both powdery mildew as well as the louse phylloxera threatened vineyards across the country. Ferruccio identified the plants most resistant to these plights and replanted his vineyards with them. He eventually planted vineyards with his Brunello shoots grafted onto US sourced root stock, which is impervious to the phylloxera louse. Other innovations included training systems that were lower to the ground to better capture heat from the earth, and higher planting density to force plants to compete for nutrients and develop deeper root growth. He adopted de-stemming for his all-red grape based wines, longer fermentation on the skins, and began barrel aging and strict quality control. These approaches produced wines with more structure and stability, allowing the wine to be exported to far-away destinations. Fans of Biondi Santi’s Brunello increased, and it eventually became the most expensive wine produced in Italy.

World War I saw a huge decline in the market for premium wines, and only a few producers survived. Ferrucio’s son Tancredi took over the estate upon his return home from the war. Just as the local wine economy began to recover, phylloxera hit again in the 1930s, destroying almost all the vineyards in Montalcino. And again, as recovery from this began, World War II started, once more crushing the market for these exclusive wines.

During this war, the front passed right through Montalcino, laying waste to the countryside. Any wine discovered in local cellars by desperate troops was quickly consumed. Tancredi and son Franco Biondi Santi took many years worth of their Riserva Brunello wines and walled them up in a remote corner of their cellars, hiding them from the forces passing through. Unearthed years later, the rediscovery of these wines provided the ultimate proof of the longevity of Brunello – they are still amazing.

Following the war, production slowly recovered. In 1966, Brunello became one of the first registered DOCs in Italy, and the following year 13 producers were back in business, producing 150,000 bottles that year. in 1969, a state dinner held by the Italian Embassy in London put Brunello front and center on the world-wide stage. Biondi Santi’s 1955 Brunello was served, and was a sensation. The notoriety brought along a nice increase in price for the wine, and an investment in the expensive cellars needed to house a wine that requires 4 years of aging in wood didn’t seem so ludicrous. The early 70s saw a huge increase in the number of acres planted for Brunello.

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During this same time, the Consorzio del Vino Brunello di Montalcino was founded to safeguard the reputation and quality of Brunello. Many members had just planted new vineyards and were otherwise expanding their operations, and wanted a more immediate revenue stream. They were interested in a wine they could sell earlier, especially one they could sell with the prestigious “Brunello” as part of it’s name. They won in the short term, selling this younger wine under the name “Vino Rosso dai vigneti di Brunello” (red wine from the Brunello vineyards), but today this wine is known as Rosso di Montalcino.

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In the 80s and 90s demand for Brunello outstripped supply. Vineyard locations and acreage were strictly regulated by the Consorzio, but they were under constant pressure to allow new producers to enter and existing producers to expand. A devastating frost in 1984 destroyed many of the local olive orchards. Farmers looking to rebuild faced a choice – replant olive trees, that don’t produce for 10 years, or plant vines, which produce in 4. As you can guess, many of those who elected to rebuild than to sell to hungry outsiders chose the later.

Large producers from outside Montalcino wanted to invest here, including Antinori, Frescobaldi, and the Mariani family from New York, who started Banfi. In 1997 the Consorzio opened up the Brunello registry of vineyards and expansion occurred, including vineyards at lower elevations which are hotter, and produce very different wines – higher in alcohol, less acidity, and typically not as age-worthy. These newer ‘outside’ producers, looking to achieve the recognition and status just being awarded to Super Tuscans that were all the rage, modeled their operations after the French style of wine-making – international varietals, aging in smaller French barriques rather than the traditional large botti, use of outside consultants who favor the French/Bordeaux style.

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Critics, finding Bordeaux-style wines familiar territory, loved these wines, and gave them high marks, much higher than the traditional style Brunello. But temperamental Sangiovese can be weighed down with the new oak in the smaller barrels, and are less vibrant, less cherry, lack minerality. After only a few years of aging, the traditional Brunello wines are just beginning to come into their own, while some “new” styled Brunello were already past their prime. In 2008 the ultimate betrayal of the traditional Brunello; several large producers were accused of blending other grapes into their wines, in a scandal called Brunellogate. Their production was confiscated while each were investigated and authenticity confirmed. Post Brunellogate, the Consorzio has had several internal debates on whether or not to allow other grapes to be blended into Brunello, but thankfully they have remained true to their tradition – today Brunello di Montalcino still proudly maintains their unique identity as the only 100% Sangiovese wine in Italy, Sangiovese in purezza.

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Today, visitors can experience this history by tasting the wines – sample a Brunello made in a traditional style, aged in large botti, and compare to a newer style aged for a time in barrique. Try producers from the original, higher altitude vineyards near the town itself, and compare to others from newer vineyards in the southwest, or in the southeast near Abbazia Sant’Antimo. Sample a blend of Sangiovese from Montalcino mixed with other grapes, which can be sold under the newer Sant’Antimo DOC. For our tour guests, our morning explorations through this lovely countryside provide us the knowledge and first-hand experience to understand and appreciate these wonderful wines. And we thought we were just having fun 🙂

Many thanks to Esther Jurgens at Vino Vistas, who has introduced many of our groups to the secrets behind Brunello wines. For those who wish to learn more about Brunello, I highly recommend “Brunello di Montalcino” by Kerin O’Keefe.

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Sbrisolona – Crumbly Cake from Mantova

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This fall we led a private group cycling tour through the Amarone and Valpolicellla wine areas, south through lovely Borghetto sul Mincio, ending the week in magnificent Mantova, one of the most picturesque cities in Italy. We enjoyed a week of unparalleled wines paired with amazing foods. Many of our meals ended with a dessert wine, paired with a local sweet biscuit or cookie. The unique regional dolce (sweet) that followed us all week is Sbrisolona.

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The tongue-twisting name comes from the Italian verb sbriciolarsi, which means ‘to crumble’ or ‘to fall into pieces’.  It is front and center in the bakery window in Mantova, its home, but spread throughout the whole province of Verona thanks to its perfect match with the dessert wine Recioto. Farmers in the surrounding countryside made a hard and crumbly dessert from items they had on hand – crushed grains such as millet and cornmeal, nuts they could forage, and lard. Cooks for the wealthy ruling Gonzaga family of Mantova enriched the recipe with additions of expensive, hard to obtain ingredients like almonds, butter, sugar and spices. Today these luxury items, no longer so exclusive, are the standard.

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We had the great fortune to learn how to make this treat from two Italian chefs on our visit, during our stay at Allegrini’s luxurious Villa della Torre. The recipe could not have been easier, just mix the ingredients and bake. It is cooked an a cake pan, but the end result is more of a cookie than a cake – instead of cutting it, you break it into pieces and enjoy with a glass of Recioto della Valpolicella. Which we did!

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A bit of background on Recioto. The name ‘recioto’ comes from ‘recie’, ‘ears’ in the local dialect. The ‘ears’ of the grape bunch are those lobes on the top, which receive the most sunlight, and are therefore riper and drier with more concentrated sugars. These are separated from the remainder of the bunch, and are used to produce this sweet dessert wine. Today, this process is a bit more efficient, as the entire bunch is picked and the grapes are air dried in a room to concentrate the sugars. This technique (passito) produces a raisin that is then fermented to produce a sweet wine. Fermentation of wine is the process of converting sugar to alcohol. In Recioto wines, the fermentation process is stopped, typically by chilling the wine, before all the sugar is consumed, resulting in a sweet wine.

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Legend has it that, in the early 1900s, a local producer forgot about a barrel of Recioto fermenting away in his cellar. When it was eventually discovered, the fermentation process had totally consumed the sugars, resulting in a dry wine. Tasting the wine that was expected to be sweet, and instead finding a bone dry, high alcohol, full-bodied wine, the taster exclaimed “Amaro!” (bitter), and Amarone wine was born.

Sbrisolona

11 ounces all-purpose flour
3.5 ounces coarse yellow cornmeal
9 ounces butter
5.5 ounces sugar
9 ounces almonds (shelled but with their skin) coarsely chopped
10 whole almonds for decoration
1 egg
pinch of salt

Preheat the oven to 325° F. Smear the bottom and sides of a 9” cake pan with butter, dust with 1 tablespoon of the flour and set aside.

Mix the flour, yellow cornmeal, chopped almonds and salt in a bowl.

Melt the butter. Whisk the sugar with the egg and melted butter in a separate bowl, then transfer to the bowl with the almond mixture. Mix all ingredients slowly by hand until homogeneous.

Put the mixture into the cake pan in handfuls, rubbing it between your palms to make its characteristic uneven surface. Add some whole almonds on top of it and put the cake into the oven. Bake it for about 40 minutes.

Sbrisolona is not cut with a knife but simply broken into pieces by hitting it with your fist. It is ideally matched with Recioto, but you can also serve it with a generous sprinkle of Grappa.

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The Terroir of Brunello – Home of #whaleinavineyard

val-dorcia-view-custom-tuscany-tour-italiaoutdoorsOur Walk and Wine tours in Italy take us to some of Italy’s loveliest landscapes – the Langhe hills of Piedmont, Val d’Orcia of Tuscany, and the Verona province of the Veneto – as we discover the home of Italy’s most prestigious wines. The Montalcino area in Tuscany is a prime example. While we enjoy our daily explorations in the picturesque Tuscan countryside, we develop a true appreciation for how this glorious land shaped the outstanding Brunello wines we sample along the way.

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Brunello di Montalcino, and its younger sibling, Rosso di Montalcino, are both produced using exclusively Sangiovese grapes, Sangiovese in purezza as the locals say. They are, in fact, the only DOC wines in Italy that are required to be 100% Sangiovese. Wines from Chianti and the Vino Nobile from nearby Montepulciano CAN be 100% Sangiovese, but they don’t HAVE to be. Sangiovese is the most commonly planted grape in Italy, primarily grown in Tuscany and Emilia-Romagna, but found in other regions as well.

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It is a very temperamental grape – late-ripening, difficult, unforgiving. It exhibits a huge variation between plants, even clones, depending upon the growing conditions. It is believed to have originated in Tuscany, but this is still up for debate. For hundreds of years farmers in Tuscany cultivated their local grapes, which had their own local names: Morellino di Scansano in the Maremma area of Tuscany, Sangioveto in Chianti, Prugnole Gentile in Montepulciano, Sangiovese Grosso or Brunello in Montalcino. These local grape vines were assumed to be different varieties; they had leaves of different shapes and sizes; some had larger grapes, others smaller; the bunches of grapes were more tightly packed on some than others.

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In 1876, a group commissioned to understand the local grape varietals undertook an experiment where they planted these 4 varieties: Morellino di Scansano, Sangioveto, Prugnole Gentile, and Sangiovese Grosso in the same single vineyard, and watched, recorded, and made wine. Lo and behold, as time passed, the 4 varieties changed – the stark differences in appearance began to fade, the wines produced by each developed a noticeable similarity, and they responded in like ways to different growing seasons. Today we know that these are all local expressions of the Sangiovese grape.

Cabernet is considered a resilient variety, You can grow it across a range of terroir – different elevations, various soil types, different microclimates – and you will get somewhat predictable results. Not so with Sangiovese, it strongly “expresses” its terroir, with wildly fluctuating results depending on its home, climate, soil type. It can be overly acidic, lighter in body, mediocre. But at the right altitude, in certain soil types, with the right amount of sunlight, Sangiovese wines develop unparalleled aromas, intense flavors, with a complexity and ability to age that escape all but a very few wines. Montalcino is this perfect growing environment for this mercurial grape.

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Montalcino is a hilltop town and surrounding comune in the province of Siena, Tuscany. Located just west of Pienza, we enjoy spectacular views of the picturesque Val d’Orcia during our visit. Nearby Monte Amiata dominates the south-east horizon, and on clear evenings I have sipped Brunello while gazing at the Islola di Giglio in the Tyrrhenian Sea just 40 miles away. Montalcino is closer to the coast than either Chianti or Montepulciano, and so benefits from a more Mediterranean climate – warmer, greater diurnal temperature variations, a longer growing season offering late-ripening Sangiovese a chance to fully evolve.

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Within the zone itself we find a myriad of microclimates. The elevation of vineyards in this relatively small area range from almost sea level to 1640 meters (over 5000 feet). There are pronounced differences in rainfall and summer temperatures throughout.

But what perhaps is one of the most unique characteristics of the Montalcino terroir is the sheer number of different soil types found in this zone. The producer Banfi has identified 29 different types in its vineyards alone. Italy was formed when the African and European plates collided, and the soils from each plate intermingled. Millions of years ago, Italy was under a sea, and slowly emerged. We learn about this in other wine zones, like Barolo, where this ancient event plays a role in the intensity and longevity of the wines of today. Here in Montalcino, however, this emergence was not as “clean”, here the sea retreated and returned numerous times, unearthing and remixing the soil each time. The instability created by this fractured emergence caused massive erosions, sending millions of tons of earth crashing down from higher elevations, mixing different layers of soil, distributing marine fossils throughout, resulting in a highly complex array of soil types. Higher elevations experienced a bit less of this churn, lower a bit more.

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To give a few concrete examples we encounter on our travels, there are the distinctive “Le Ripi”, of Podere le Ripi, south of Montalcino near Sant’Antimo. “Le Ripi”, the cliffs, are tenacious clay based hills that remain after thousands of years of erosion washed away the surrounding more porous soils. Here is lots of clay, still quite salty. Limestone boulders remain, rounded down from centuries of the sea receding and returning. Many minerals are found in the soil here, just 7 miles from Monte Amiata, an ancient volcano. Today Podere grows both Sangiovese as well as Syrah and Merlot. This clay soil presents itself in powerful, intense wines, salty, with good acidity. Also worth seeing here is the most densely planted vineyard in the world, as well as their unique nautilus shaped cellar.

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The largest producer in the Montalcino area is Castello Banfi estate. Owned by the Mariani family of Long Island, NY, they established Castello Banfi in the southern part of the zone in 1978, and today they are leaders in research into the grapes and terroirs of Montalcino. Over 10 years ago, while digging in a vineyard, workers uncovered the massive skeleton of a prehistoric whale. Nicknamed “Brunella”, this creature, believed to be about 4 million years old, is being carefully cleaned, reassembled and studied by a team of paleontologists, financed by Banfi. Visitors to the Castello can stop by and watch the scientists at work. A friendly professor gave me a quick tour, pointing out the small shark teeth and teeth marks on the skeleton itself, indications that “Brunella” may have met and untimely end. It is fascinating to see the hard evidence of events that occurred millions of years ago still present today, and to learn how these ancient events shape the wines we enjoy along the way.

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Thanks to Laura Gray at Il Palazzone for telling me about Brunella. You can follow the discoveries of the Brunella team on Twitter at #whaleinavineyard. For those who wish to learn more about Brunello, I highly recommend “Brunello di Montalcino” by Kerin O’Keefe.

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Focaccia con Zucca e Salvia – Pumpkin and Sage Focaccia

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Who doesn’t love focaccia? A leavened flat bread with seemingly unlimited variations, everyone can find a favorite. This version, topped with squash or pumpkin and sage is perfect for an autumn dinner, or to bring a bit of Italy to your Thanksgiving table. This season as we visited Vicenza on a couple of our custom Italy tours we made focaccia with a true Italian chef, our good friend Lucas Migliorelli. Prep took 10 minutes max, two hours to rise, then bake and we had ourselves a real treat, focaccia fresh from the oven.

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Today focaccia is found throughout the Italian peninsula, but it is primarily associated with Ligurian cuisine, as the olive oil in the bread helps keep it from spoiling quickly in the salt air and humidity of this coastal region. As we enjoy a walking tour in Cinque Terre, we visit many small towns that dot the coast of Liguria, each isolated and each with their own variation this flat bread. Focaccia Genovese is the most common, topped simply with a mixture of olive oil and water, and salt. It is enjoyed throughout the day, for breakfast with your cappuccino, as an afternoon snack, or in the dinner bread basket.

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In Italy, “zucca” refers to pumpkin, as well as several different winter squashes with pumpkin-like consistency. Butternut would work well, here I used delicata squash which has the additional benefit of not needing to be peeled!

Focaccia con Zucca e Salvia

1 package dry yeast (2 1/4 teaspoons)
1 tablespoon of sugar (optional)
1 cup of warm water
2 cups of bread flour
1/2 cup of olive oil
1 1/2 tablespoon kosher salt
1 cup raw pumpkin or winter squash, chopped
12 leaves fresh sage

In a big bowl, dissolve the yeast and the sugar in the warm water. If you have not used your yeast recently, you may want to test it to make sure it is still active – to do this, dissolve it in just a couple of tanblespoons of the water and allow to sit for 10 minutes or so. If it is bubbling a bit at the end of the 10 minutes, add the rest of the water and continue. If not bubbling, you need new yeast!

Add 1 1/2 cups of the flour and 1 tablespoon of the salt into the bowl, and with a strong wood spoon, mix the water into the flour. Continue to mix for about 1-2 minutes.

Add the other 1/2 cup of flour and mix to form a stiff dough. Knead the focaccia dough in the bowl for about 3 minutes, mixing very well. Add 1/3 cup of olive oil to the dough. Using your hands, squeeze the olive oil into the dough for about a minute. Any extra oil a the bottom of the bowl you will later pour on the top of the dough.

Make a ball with the dough, and put the dough in a sheet pan lined with a sheet of parchment paper. Spread the dough with your hands into rectangle, about 1/2 inch thick.

Using your fingers, make little indentations all over the dough – this is what they do in Genova! Evenly distribute the squash pieces across the top of the dough, followed by the sage leaves. Pour the rest of the olive oil on the top of this, the oil will pool and fill the small holes you made with your fingers. Cover with plastic wrap and let the focaccia rise for about two hours.

Preheat the oven to 400°F.

Sprinkle with the remaining salt. Bake for about 30 – 40 minutes, until nicely golden brown. Keep your eye on the bread so it doesn’t over bake and turn into a rock. Enjoy!!

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